Oversized, stylized leaves and petals fill the entire canvas, overlapping as flat masses of color rather than detailed botanical drawing. There is no horizon and no single focal point, so the eye drifts across layers of muted olive, deep burgundy, soft blush, dusty blue and warm ochre.

The light is soft and even, with no harsh highlights or cast shadows. Color fields blend loosely where they meet, with soft edges instead of outlines, and broad, confident brushstrokes let the woven canvas grain show through the thinner passages. The result is a moody yet serene study in autumn tones.